1. We transmit from the threshold.
2. Fiction is the lens.
3. Objects remember.
4. The alien is a mirror.
5. Pop is code.
6. Time folds into loops.
7. Nature is scripted.
8. We collect shadows of the possible.
9. Language is a seed.
10. Speculation is survival.
This Cluster brings together a series of projects that operate across sculpture, digital media, and simulation. Each one functioning as a narrative fragment from parallel timelines—where biology, technology, and fiction merge into new mythologies.
From sentient flora evolved for labor (Bioretriever), to mineral tributes buried in our machines (Geomancer), to alien vessels charting the periphery of Earth (Klendathu Survey), these works use the theme of distant realities—and the seemingly escapist imagery of science fiction—to observe systems we often mistake for natural.
Through rendered fictions like Ebani Incubator, which tracks the gestation of unidentified aerial biological entities, and Solid State, which presents corporate aesthetics as archaeological remains, Exonarratives raises the question: what happens when speculation becomes the only way to speak about the present?